OH THE FEELS.
lincoln (7 out of 7)
- Weighing literally hundreds of hedgehogs.
- Carrying an adult swan and throwing him into a pond.
- Chasing hoards of ducklings around the hospital floor.
- Being covered in squirrels.
- Being dive-bombed by an insane magpie.
- Handfeeding many baby things.
- Discovering what noise stoats make.
- Catching pigeons.
- Putting a baby fox and a baby squirrel in an incubator together and watching them cuddle up omfgcutenessexplosion.
- Adopting this bird.
Oh, the feels.
Work wanted a website in an hour today.
Their previous version of this particular site was the image from the event poster, with links mapped onto it. It was mere moments before my progressive enhancement / responsive design OCD kicked in. The site in question is to advertise this year's University of Lincoln Grad Ball, and is little more than an online poster. So here goes.
1530
Marked up the page, with HTML5 tags and the content from the poster, using
currently non-existent classes where needed, and also including a few non-
existant images. Added my own mini CSS reset for the elements I was using.
1545
Cut the couple of images I needed out of the poster png and uploaded them.
Spent a while trying to find something to match the obscure Mac font that had
been used on the poster. Impact was close, but didn't quite cut it at small
sizes. Played with weighting and letter spacing for ages, but eventually
picked a font from Google Web Fonts that did
the trick and styled all the typography related stuff.
1605
Aligned, padded, margined and weighted everything as I wanted. Remembered to
use a HTML5 enabling script so versions of IE lte8 would actually bother to style things properly.
1625
Took a step back to look at content. The organisation of it was great for a
poster, where you can pretty much see everything at once, but in any scenario
where scrolling is a possibility, the most important stuff needs to go at the
top. So I rearranged some things.
1630
Used CSS to hide a couple of elements that would do more harm than good on a
device with a small display. Used media queries to show them for displays with
a greater width than 480px. With help for IE, of course.
Nasty, dirty cheating
One of the images I used consisted mostly of text, with a few images plonked
around it. I didn't have the energy to recreate this in a two-column list,
especially not with the apparently randomly floating images. The image is
only used for 480px+ of course. Mobile get a list. Unfortunately, I just
used display:none. So mobile browsers are still loading the image. I hate
me, too. But hey, I had an hour. It's better than the whole site being an
image.
READ MORE ABOUT RESPONSIVE DESIGN.
I wrote that in capitals, because it is not a suggestion.
And, if you're University of Lincoln final year student, get your tickets for the Grad Ball, and resize your browser window while you're there. It's going to be the best one yet, as they say every year.
It doesn't really seem like much when summarised like this, but I do wish I was paid more than £6 an hour.
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Professional Practice, guest speaker number one
[This post is written as an informal part of a university module]
Speaker: Ken Blair of BMP Recording
Area: Sound recording/engineer
Although Ken’s area of expertise is not directly relevant to my degree, I have frequently worked alongside media students both informally and more recently as part of a start-up company in Sparkhouse. Thus I am able to relate to many of the things he discussed about sound engineering, as I have had second-hand experience of creating soundscapes for animations, or musical tracks for short films, for example. I wrote lots of notes about the details of the things he does on a regular basis, and the differences between on-location and studio recording; between recording pop music and recording classical. But it seems fruitless to transcribe them all here, when his day-to-day experience, while interesting, is of little consequence to me personally.
However what did catch my interest was that Ken started his own company straight out of university, similar to what I am involved with in Sparkhouse. He discussed the ‘catch twenty-two’ of needing industry experience to find work for your company, but people being unwilling to hire because of a perceived lack of experience. He also affirmed that the decreasing cost of technology has made it easier for people to create their own recording studio setups, enabling freelancers to charge the absolute minimum for the work they do, causing a very competitive price market.
I (and the others I am working with in Sparkhouse) have fortunately been able to take advantage of the latter issue to solve the former. Several years as informal student freelancers meant we could afford to charge the minimum, or work for free, with the focus being on gaining experience and reputation rather than worrying about earning money. Now we have started our own company, we can start charging ‘real world’ prices to bigger companies, and are able to do so supported by a significant portfolio of existing work.
Knowing that this method has so far worked for myself and others, I feel Ken could have offered his hindsight to those in the audience who may not have had the same experience. That is, he could have advised to take advantage of the years of having a student loan and lots of free time to build up a portfolio of work and experience relevant to an individuals particular career aims, without needing to worry about taxes and bankruptcy. This would help to avoid the problems that his own company had right at the beginning.
Having said that, level three is probably too late for students to be hearing that kind of advice; it might be more useful, and inspirational, during level one.
Ken did offer advice about writing CVs, for those who do have little industry experience - to focus on one’s skills, rather than one’s past jobs - but commented that employers of new graduates are sympathetic to the lack-of- experience problem, understanding that their job applicants have just come out of university. I’m not convinced that this is a good message to be sending... Perhaps employees of sound engineers and audio technicians think differently, but my experience so far in the computing industry (mainly software and web development areas) has taught me that the new grad job market is so saturated with graduates with high calibre degrees that having something on your CV that you have done, rather than can do is vital.
Anyone can list the modules they’ve done, and the programming languages they have dabbled in over the course of three years. You stand out if you write about the open source project you contributed to in a specific language, or the academic poster you presented at a technology conference about your chosen field. Listing skills has a lot more impact if you can prove that they really are your skills.
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Volunteer poop-cleaner
Weirfield Wildlife Hospital, Lincoln
This is one of the best things I've ever done. Noteable achievements include:
Founding President, Computing Society
University of Lincoln
Getting most undergraduates at Lincoln to engage was like pulling teeth, but I think the UoL Computing Society is still going. Arranged hackathons, social events, mentoring buddies, networking and careers stuff and all that jazz.
Communications Officer, Science Fiction, Fantasy & Horror Society
University of Lincoln
Ran the website, helped with socials, special events and regular meetings, made a paltry attempt at a society magazine (called The Bridge) but hardly anyone would write for it; did most of the dealing with the Students' Union because nobody else could be bothered.